Theatre Experience
I trained at LAMDA, where I first became interested in pursuing theatre sound as a career. After graduating I spent three years in house at York Theatre Royal, which gave me a brilliant grounding in producing and receiving theatre, as well as providing opportunities to increase my skills in designing, engineering and programming. In January 2018 I left YTR to go freelance, and have since worked on a mix of regional and touring productions.
As a Sound No. 1, I have experience in a wide variety of theatre, including drama, Shakespeare, new writing, pantomime and actor-musician. I am confident in programming and operating on a variety of consoles to a high standard under tight time pressures.
You can find more information about my work history on LinkedIn or my mandy.com profile.
Software
- QLab
- Ableton Live
- Reaper
Consoles
- DiGiCo SD T
- Yamaha CL & QL
Past Projects
| Production | Role | Company | Year |
|---|---|---|---|
| The Lightning Thief | Sound Designer | Leeds Conservatoire | 2024 |
| Urinetown | Sound Designer | Leeds Conservatoire | 2024 |
| Red Riding Hood | Sound Designer & Engineer | Middle Child | 2023 |
| Jack and the Beanstalk | Sound Designer | York Theatre Royal | 2023 |
| Pinocchio | Sound Programmer | Hull Truck Theatre | 2023 |
| Vernon God Little | Sound Designer | Leeds Conservatoire | 2023 |
| Modest | Sound Engineer | Middle Child, UK Tour | 2023 |
| Mayflies | Sound No. 1 | York Theatre Royal | 2023 |
| The Odyssey: Episode 2 - The Cyclops | Sound No. 1 | CAST, Doncaster | 2023 |
| A Christmas Carol | Sound Programmer | Hull Truck Theatre | 2022 |
| Darknet | Sound Designer | Leeds Conservatoire | 2022 |
| The Book Thief | Sound No. 1 | Octagon Theatre, Bolton | 2022 |
| The Whispering Jungle | Sound Designer | Concrete Youth | 2022 |
| A Midsummer Night's Dream | Sound Designer | Hull Truck Theatre | 2022 |
| Murder on the Orient Express | Sound No. 1 | Chichester Festival Theatre | 2022 |
| The Taxidermist's Daughter | Sound No. 1 | Chichester Festival Theatre | 2022 |
| 71 Coltman Street | Associate Sound Designer & Production Sound | Hull Truck Theatre | 2022 |
| The Railway Children | Production Sound & Programmer | Hull Truck Theatre | 2021 |
| Pinocchio | AV Technician | Jasmin Vardimon Company | 2021 |
| The ASMR Project (R&D) | Sound Designer | Concrete Youth | 2021 |
| Crongton Knights | Sound No. 1 | Pilot Theatre, UK Tour | 2020 |
| Peter Pan | Production Sound & Programmer | Hull Truck Theatre | 2019 |
| Macbeth | Sound No. 1 | Chichester Festival Theatre | 2019 |
| Plenty | Sound No. 1 | Chichester Festival Theatre | 2019 |
| Shadowlands | Sound No. 1 | Chichester Festival Theatre | 2019 |
| The Shadow Factory | Sound Operator | NST City, Southampton | 2019 |
| Cinderella | Sound No. 1 | New Wolsey Theatre, Ipswich | 2018 |
| And Did Those Feet | Sound Programmer | Octagon Theatre, Bolton | 2018 |
| Abigail's Party | Production Sound Engineer | Hull Truck Theatre | 2018 |
| Romeo & Juliet / Richard III | Sound Operator | Shakespeare's Rose Theatre, York | 2018 |
| Brighton Rock | Sound No. 1 | Pilot Theatre, UK Tour | 2018 |
| Pride & Prejudice | Sound Operator | York Theatre Royal | 2017 |
| Robin Hood: The Arrow of Destiny | Sound Designer & Engineer | York Theatre Royal | 2017 |
| Everything is Possible | Radio Mic Technician | York Theatre Royal | 2017 |
| Murder, Margaret & Me | Sound Engineer | York Theatre Royal | 2017 |
| Cinderella | Radio Mic Technician | York Theatre Royal | 2016 |
| Sherlock Holmes: The Hound of The Baskervilles | Sound Designer & Engineer | York Theatre Royal | 2016 |
| Brideshead Revisited | Sound Engineer | York Theatre Royal | 2016 |
| Dick Whittington & His Meerkat | Radio Mic Technician | York Theatre Royal @ NRM | 2015 |
| The Railway Children | Radio Mic Technician | York Theatre Royal @ NRM | 2015 |
| In Fog & Falling Snow | Radio Mic Technician | York Theatre Royal @ NRM | 2015 |
| Old Mother Goose | Radio Mic Technician | York Theatre Royal | 2014 |